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Why
do you put a black and white dog in so many of your books?
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zzzAbove
is my dog Pumpkin. She was a Border Collie and I had her for 15 years.
For more about Pumpkin
visit Who is Miss Bindergarten and Why is She
a Dog? |
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zzI
wasn't planning on becoming an author. I started out wanting only
to illustrate other people's stories. |
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Where do you work? zzI
work at home in a little blue house in San Francisco. My studio is one
of the upstairs bedrooms. Out of one window I see my garden where I
grow trees and vines and lots of flowers. |
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Are you married? zzzI've
been married for many years to Sabin Russell, a journalist and children's
book author. You can sometimes spot Sabin in my books. He is the man
with the dark hair and beard. One year he shaved off his beard and so
he is also the clean-shaven father in Stella
and Roy. See if you can spot him in at least seven books.
Rowan and Brennan in Yosemite |
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How
do you carve and print your "Giant Rubber Stamp?"
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| zzMy
stamps are flat sheets of linoleum that I carve out by hand. First I create
a drawing in pencil on tracing paper. I usually do many versions of every
drawing, trying to get the composition just right. I often use references
to help me. The photos on the left are of my son Brennan, posing as Stella
climbing the tree. zzWhen I am happy with the drawing, I turn it face down and trace it directly through the back onto the pale grey sheet of linoleum. This gives me a reversed version of the original. |
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zzSince
linoleum-block printing is a form of relief printing, just like rubber
stamps, the image will print as a reverse of the block.
zzI now carve the block using very sharp, U-shaped metal gouges. I carve everything away that I do not want to print. This leaves me with a design formed of raised ridges that will be covered with ink when I print this "giant rubber stamp." |
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| zzI
roll ink onto the block using a hard rubber brayer that looks like a miniature
rolling pin. The ink covers only the surface of the raised ridges. After
I tack the block to a wooden board, I lay a sheet of heavy white paper
on top of the inked-up block and tack it down all around so that it can't
slip. I use an old wooden spoon as a printing press. The pressure from
rubbing with the back of this spoon transfers all the ink from the block
to the paper, creating the print. zz When I peel up the paper I have a black and white print that is ready to be colored. I use watercolors to paint the prints and I always make enough copies so that if I make a mistake, I can always throw it away and try again. |
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These are some
of the many wonderful questions children ask me when I do school visits.
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All
text and images copyright© 2001 Ashley Wolff. Email Ashley at ashley@ashleywolff.com
Website designed by Mira Reisberg www.mirareisberg.com and Ashley Wolff. Last updated July 2001 |